It had been almost 5 years since I got to see Yonaka live and it feels strange to think of that as occurring in a time before the Covid 19 pandemic. So much has changed in my own life since then and the sound of the band has markedly evolved since those days too.
Back in August 2003 I attended The Leeds Festival, the equivalent of The Reading Festival but held in northern England and easier to get tickets to. Unfortunately, the evening we were supposed to drive to York to stay with our friends before the festival began, I suffered an eye injury.
Although the eye doctor had reluctantly agreed that I could attend the event, her conditions were that I shouldn’t drink or be physically active. Drinking and bouncing around are two of the numerous things that make music festivals fun, so although I put a brave face on things it wasn’t the experience I hoped for.
On Friday we saw a few good bands and paid fleeting attention to the one album wonders making up the numbers. All the while I felt like I was there in a somewhat observational role, even for bands I was a fan of, like Sum 41 and Good Charlotte. (Don’t judge, this was the early naughties!)
The next day followed a similar pattern with a long wait for the headliners, Linkin Park. Then, as dusk approached, Placebo took to the stage and just absolutely blew me away. I didn’t have to be drunk or jump around to enjoy their performance. It was more than enough to lean back, fill my ears with the music and let it all soak in.
As the sun set it was suggested we pretend it was daybreak instead, while the band played their anthem; Pure Morning. It was a feast for the senses and an absolutely magical moment that made me a fan for evermore.